Who is eastenders aimed at

This show lasted only a week, but helped lay the foundation for the late Irna Philips to build upon and ultimately revolutionize the genera.

Irna Philips has been considered by many to be the mother of the serialized format due to the success of her work on both radio a Television AU. Home and Away. By many people throughout the world were trying to embrace the idea of the television. Twenty one year old Philo Farnsworth was the first person to make the first electronic tv picture.

This little war between them lasted a decade. Home Page Discussion of Eastenders. Discussion of Eastenders Good Essays. Open Document. Essay Sample Check Writing Quality. Coronation Street began on ITV and is still on our screens today after fourty years of successful, record-breaking viewer ratings. It took twenty-five years for the BBC to create anything as successful as Coronation Street, when Eastenders came onto our screens in , which is also still highly successful today and is viewed by millions of people worldwide!

On the radio they are never sure exactly what the image is supposed to be, Eastenders is directed at that basis of human relation. I believe that the majority of the codes used in Eastenders cannot be transferred to the viewer by any other medium as successfully as television proves to do so today. When a new medium overcomes television in this field, a whole new Soap Opera era will begin.

Get Access. Satisfactory Essays. Drama Queens Present. Read More. Kevin and his clan have been an undeniable success for the supermarket, with customers being known to queue for hours to purchase Kevin the Carrot themed merchandise each year.

The start of a new tradition… EbananaScrooge pic. Yet despite his popularity, it seems Aldi is finally ready to leave behind Kevin and move onto something a little different; introducing, Ebanana Scrooge. In a new teaser trailer for their upcoming Christmas advert, viewers were introduced to newcomer Ebanana Scrooge, a heartbroken — and admittedly very cute — banana who holds a strong dislike for Christmas.

In the clip, which is seemingly a fun twist on the traditional Christmas movie A Christmas Carol , the little yellow fruit can be seen been rejected by Santa in favour for a mince pie. I hate Christmas. Of course, there was an instant uproar as to where the familiar Kevin the Carrot was, with many slamming the supermarket for leaving out such a popular festive addition. Look out for a bunch of delicious recipes coming soon!

Aldi has confirmed the full advert will be released this week, saying their fans can expect to see it on their screens on Thursday, November 11th. A TV channel tailored just for dogs is launching in the UK to help with their stress and a range of other behavioural issues. DogTV has been created specifically for our four-legged friends after three years of research into dog behaviour and what causes issues such as anxiety, loneliness and stress.

Launching here in the UK on Monday, November 8th , the channel will air scientifically tested programming aiming at alleviating the symptoms of these issues, as well as shows aimed at helping owners better understand and look after their pets. The channel, which is already available in a number of other countries, will feature shows by celebrity dog trainer Laura Nativo, who will provide tips on how to live better at home with a pet, as well as programmes that provide simple and healthy recipes for dogs.

The service will be available on a range of smart TVs, Android and Apple devices and online from Monday, November 8th. Connect with us. As well as the purported realism, all of these shows aspired to, and often genuinely attained, a quality that was missing from the more generic daily soaps: noted writers such as Jack Rosenthal , Jim Allen , Tony Jordan and Jimmy McGovern were allowed a certain freedom; characters were more consistently drawn; and initially at least storylines were low-key and believable.

Because of their perceived qualities, these shows avoided the broadcasting authorities' general concern that, unless monitored carefully, soap opera would drag television down to the lowest common denominator. But Crossroads ITV, was a different matter. The Independent Television Authority and its regulatory successor, the Independent Broadcasting Authority , were unimpressed, and twice punished the show, eventually reducing it from five weekly episodes to three.

The reaction to Crossroads demonstrates that in British television at the time, success was not the only criteria even in commercial television, and that lowly soap operas were still expected to achieve a certain standard. In the s and 80s, serials such as Coronation Street , EastEnders and Brookside were seen as the 'least worst' soap operas in the world. Although the latter were very different to the glossy and popular US imports of the time such as Dallas , Dynasty and Falcon Crest , they were similarly derided for featuring overripe performances, preposterous cliffhangers and unbelievable storylines - all characteristics that were held up as a contrast to quality homegrown serials.

The US series were vastly popular but arguably the greater lasting impact on British soap opera came from Australia. Neighbours , a Reg Watson production, was initially shown on weekday lunchtimes, but a daily tea-time repeat drew huge ratings, and for a time Neighbours dominated the media, probably reaching its apogee with the wedding of Scott Robinson Jason Donovan and Charlene Mitchell Kylie Minogue. ITV responded by importing the Australian rival Home and Away and the result was an early-evening schedule full of cheap and cheerful daily serials.

The audience for these shows had a younger demographic, and gradually the traditional soaps began to try and appeal to the same audience; a trend which eventually resulted in a new soap, Hollyoaks Channel 4, , aimed directly at teenagers.

More importantly, the broadcasting authorities were no longer in a position to intervene on issues of quality, and the television companies were slowly able to increase the number of serials until continuing drama became the dominant form on British television. In the past the question of quality had plagued the BBC , and the corporation struggled to develop a successful soap opera partly because it was never quite sure if it wanted to be associated with a genre so heavily identified with commercial television.

Nonetheless, it had a reasonable success with The Newcomers BBC, , the story of a family relocating from London to the country, but after the misfire of The Doctors BBC, the BBC abandoned attempts at continuing drama for a number of years until, following a scheduling experiment with Angels BBC, , it eventually struck gold with EastEnders.

This success gave a vital boost to the BBC 's audience share, and with a newfound enthusiasm for continuing drama, the corporation decided to launch a new soap which, if successful, would dominate the ratings on alternate nights to EastEnders. The omens for a new show were not good. Granada had made a similar attempt when it launched Albion Market ITV, specifically to capture audiences on Friday and Sunday nights as a complement to Coronation Street , but the show managed just episodes before folding.

Both channels therefore, had little appetite to try and create another peak-time serial, and so began the process of increasing the number of weekly episodes for their existing shows, eventually reaching five episodes a week of Emmerdale and Coronation Street, and four episodes of EastEnders. This expansion has resulted in significant changes to production processes to the point where ironically all three major soaps are made in a way that would immediately be recognisable to the Crossroads production team of the s.

Many have argued more episodes has meant lower standards, and a breaking down of the distinction between the quality soaps and the traditional daily soaps. However, soap opera was still a powerful influence on other genres. Meanwhile, the production processes and formats of soap began to infiltrate other drama: The Bill ITV, became a continuous twice-weekly, thirty-minute series for a considerable time, and Casualty BBC, and Holby City BBC, effectively became open-ended, year-round shows.

Even documentaries were not immune. The popularity and relative cheapness of docusoap and other ' reality television ' forms has undoubtedly had an impact on soap audiences, as those formats tend to display heightened emotion and exaggerated characters in a way that might not even be credible in drama. However, although individual serials have had their ups and downs over the years, soap opera itself remains the dominant force in television drama.

The increasingly varied audience watch the serials in a more knowing way; viewers slip easily between character names and actor names, and although extensive coverage in magazines and the media generally means plots are known long in advance, the pleasure comes from finally seeing how the events unfold, and, more importantly, recounting the story to workmates and fellow viewers after the programme has finished.

But despite these changes, a powerful characteristic of the long-running soap opera remains - as the programmes grow old, so we grow old. A subtle reference to a past event can trigger a rush of memories, just as the death of a long-running character can lead to consideration of your own mortality.